Thursday, 13 October 2016

Analysing title sequences

Title Sequence 1:


The Step-Father begins with the narrative of the movie. There's a close up of the step-father's shaving equipment to give emphasis on the sharp razors etc. The razors are perfectly cleaned and are arranged perfectly in a straight line and in order. There's a shot whilst he's shaving where he cuts himself with the razor. This gives us a sense of danger approaching and something not being right. Later, when we are presented to the rest of the house, we see weapons and dead bodies.This give a sinister threatening tone. Contrapuntal sound is used throughout the title sequence- the sound ("Silent night")  and image don't match and this then creates an extra creepy effect. The theme of the title sequence is red, as this both relates to Christmas (setting) and death/danger. 



 Title Sequence 2:

Black Swan has a discrete title sequence which has been edited separately to the film. It's calm at the beginning but then the classical music that plays throughout gets more and more intense. This builds tension and suspense. The imagery is sinister and this gives the title sequence creepiness. There are a lot of bright colours like white and pale pink but then dark blood is added more as the tension of the music increases. The bright colours contrast with the dark blood. The blood spills and there are violent actions. In the title sequence there are also shots of a ballerina's graceful dance, it's recorded out of focus. This gives it a more edgy look and builds mystery. The dancer is hidden behind screen. The mystery engages the audience and sets them up with questions about the mysterious ballerina.







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